An exhibition examining the political, religious, and ethonational question in relation to the women's position was set up in the gallery window as a site-specific installation, partitioned from the inside. Viewed only from the outside, it communicated with society's elitists and exluded groups from the street.

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Creative industry epicenter that participates in the maintenance of power, was altered into a place of questioning power.

The exhibition was subjected to triple censorship: by the institution, the government, and radical religious groups. Public reactions became part of the work as a form of Happening. Two years later, the exhibition still provokes discussion.